The Business of Screenwriting: Who does what in a writer-representative relationship?
Source: @GoIntoTheStory
#screenwriting #film #screenplay
“Let’s assume you get a manager and/or agent to represent you. Then what? What are their responsibilities as a representative? What are yours as a writer?
Who does what in a writer-representative relationship?
Every writer is different. Every rep is different. So obviously, working relationships between writers, manager and agents can vary.
Here is my perspective.
Your responsibility is to write the hell out of your scripts.
Your rep’s responsibility is to sell the hell out of your scripts.
Your rep’s responsibility is to put you up for a writing gig.
Your responsibility is to land the gig.
Your responsibility is to generate possible stories.
Your rep’s responsibility is to provide an honest assessment of your stories.
Your rep’s responsibility is to get you in a room with a producer, studio exec, actor, or director.
Your responsibility is to work the room.
Your responsibility is to focus on your writing
Your rep’s responsibility is to focus on your career……”

article by @ozzywood
#screenwriting #screenplay #film
“An ongoing climate of attack & defense in our industry inspired me to these thoughts on the value and nature of feedback and criticism. It’s about scripts in the first place…..”

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for a shot at $1635 in prizes and industry exposure! Go HERE #screenwriting #screenplay #film

Who Owns the Rights to your Screenplay Rewrites?
article by @chipstreet
#screenwriting #screenplay #film
“In my original article “10 Things To Think About When You Option Your Screenplay” I included the passage:
[.…negotiate the rights to any changes or alternative versions created by the producer or on behalf of the producer during the option period. In other words, if the script reverts back to you, so should the rights to any changes made to the script while the producer had it. Otherwise, you’ve got your script back, but the producer potentially still has rights to their version… and now you’re in competition with another version of your script that you don’t control. That’s not a place you want to be.]
But was I right?……”

Perfectly Happy, Even Without Happy Endings
(article by @CarrieRickey)
#screenwriting #screenplay #film
“SEEING Lindsay Doran on a midafternoon stroll near her office in Culver City, Calif., you might wonder about this woman with the flowing curls and contemplative smile. Art historian? Massage therapist? Micro-financier? A little of each…..”



![Who Owns the Rights to your Screenplay Rewrites?
article by @chipstreet
#screenwriting #screenplay #film
“In my original article “10 Things To Think About When You Option Your Screenplay” I included the passage:
[.…negotiate the rights to any changes or alternative versions created by the producer or on behalf of the producer during the option period. In other words, if the script reverts back to you, so should the rights to any changes made to the script while the producer had it. Otherwise, you’ve got your script back, but the producer potentially still has rights to their version… and now you’re in competition with another version of your script that you don’t control. That’s not a place you want to be.]
But was I right?……”](http://24.media.tumblr.com/tumblr_m0ku8fNrl91r29apio1_500.gif)

